Episode 18 Ideology and Sacrament: Katherine Anne Porter’s “Flowering Judas”

Doug and Caren talk over Katherine Anne Porter’s great short story “Flowering Judas.” We start with a bit of background on her life and career, including her conversion to Catholicism and failed marriages, but our focus is on the story itself.

Porter’s craft and technical mastery left an enduring mark on the American short story, including the work of writers like Flannery O’Connor and Eudora Welty.

“Flowering Judas” is set in the revolutionary upheavals of Mexico, which Porter had experienced firsthand. Laura, the primary character, is a young American woman caught up in larger events but strangely detached from her own life and governed by fear. She cannot love and is not satisfied by her abstract ideology.

Her suppressed sacramental longing, culminating in the potent Eucharistic imagery of the final paragraph, plays a crucial role in the story. Porter, like Graham Greene, had a rocky relationship with the Catholic Church, but it deeply informs her art.

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Episode 13 The Fiction of Flannery O’Connor: Revelation

On Caren’s 50th birthday, she and Doug talk over Catholic writer Flannery O’Connor’s short story “Revelation.” What is the purpose behind O’Connor’s strange characters and often disturbing situations? What makes for the moral blindness of the good and upright folk such as Ruby Turpin? A look into the violent regions of grace in one Catholic writer’s vision. We end with our Top 10 O’Connor Tidbits.

Note: occasional background noise issue fixed and audio replaced (still has Bartleby barking through part of the Top 10, but it’s his show too.)

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